“All-Time Comics : Zerosis Deathscape” #1 : I Love It When A Plan Comes Together

We’ve certainly spent a lot of time dissecting Josh and Samuel Bayer’s All-Time Comics series on this site lately, and while I’m tempted to say something along the lines of “the beatings will continue until you buy this shit,” in truth I was doing some catch-up work in order to set the stage for the second “season” of this ever-evolving concept. The “zero issue” put out last month by Floating World Comics set the table, but now that All-Time Comics : Zerosis Deathscape #1 has arrived, it’s time for the main course. So — just how tasty is it?

The first few pages — a flashback sequence illustrated by the always-sublime Gabrielle Bell that ties the events of the “prequel” comic in with the series “proper” — are one visually-delicious appetizer, that’s for sure, but for old-time readers, it’s the main 1980s-set portion of the story, drawn by trailblazing “Big Two” veteran Trevor Von Eeden, that’s going to be the main draw, and to say ol’ Trev hasn’t lost a step would be an understatement : his page layouts are as inventive as ever, his sense of dynamic flow remains unfettered, his Krigstein-esque “fine art” sensibilities still razor-sharp and employed for maximum effect.

Rising to meet the challenge thrown down by their artists, co-scripters Josh Bayer and Josh Simmons, both terrific cartoonists in their own right, go right for the jugular, imbuing this homage to the post-“Bronze Age” crossover “event” comic with deliriously OTT ultra-violence, strong broad-stroke characterization, plenty of laugh-out-loud “gallows humor,” and even a bit of logical consistency. Having introduced each of these heroes by means of their individual exploits in “season one,” here they bring them all together to take on a trio of disparate threats, and while it would be a stretch to say that the three-headed “rogues’ gallery” of The Beggar, the wonderfully-named Daylight Savings Time Killer, and the meddlesome Time Vampire Scientist represent a “unified front,” wondering just how they’ll all come together to challenge Blind Justice, Bullwhip, and Crime Destroyer is a big part of the fun here, and speaking of speculation — just where the hell is the mightiest hero in this makeshift “universe,” Atlas?

Das Pastoras’ brutally beautiful cover reflects the “grim and gritty” tone of the era in comics history this series takes place in, but don’t take that to mean there’s no contemporary sensibility at work here — blending the old and the new has been one of the project’s main goals since its inception, but there were many instances in the first six-issue run where the balance was just a bit off, resulting in a tongue-in-cheek tone that couldn’t decide if it was a tribute or a pastiche. That’s hardly an issue with this — errrmmm — issue, though, as the Joshes and their artists nail it from the outset, each individual creator lending their talents to a highly synergistic and energetic whole. These folks, in other words, are cooking with gas.

Arrrggh, again with the food metaphors. I should probably cut this short and eat dinner. But if you’re hungry for a smart, “retro”-flavored comic that knows what it’s doing — one that tips its hat to its influences without being overly beholden to them — then you’re seriously going to dig All-Time Comics : Zerosis Deathscape #1.

Give it a read while I fire up the grill.

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This review, and all others around these parts, is “brought to you” by my Patreon site, where I serve up exclusive thrice-weekly rants and ramblings on the worlds of comics, films, television, literature, and politics. It’s a great— and most welcome — way to help support my work, and given you can join up for as little as a dollar month, I believe invoking the term “what have you got to lose?” is in order here.

Oh, and I suppose a link would come in handy. Here you go :https://www.patreon.com/fourcolorapocalypse

 

 

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