Mini Kus! Catch-Up : “Violent Delights” By Hetamoe (Mini Kus! #87)

I’ve reviewed some pretty “far out” comics in my time — and some of the most “far out” have been part of the Mini Kus! line from Latvian publisher Kus! — but Portuguese cartoonist Hetamoe’s Violent Delights (which was just released last month as Mini Kus! #87) probably takes the cake as the most experimental, borderline-indescribable work I’ve ever tried to wrap my head around in full view of my readership. I won’t do you the disservice of saying that I’ve completely figured this one out yet, and to be honest I’m not sure that I ever will, but maybe that’s not even the point here. This is complex, challenging, at times even taxing stuff — and where it takes you, as well as how it gets you there, is going to vary a great deal from reader to reader. I’ll even go so far as to say that I’m not yet at the point where I can fairly determine whether I “like” this book or not — and frankly the question itself seems entirely irrelevant.

So why read it at all, then? That’s a natural enough question, and by way of answering, I’ll state for the record that Hetamoe does offer a central thesis worth exploring — I’m just undecided as to whether or not using Shakespeare’s Romeo And Juliet as a springboard for examining society’s propensity for inflicting violence on a mass scale is necessarily all that effective. There’s an anime-style opening sequence that keeps the violence interpersonal, and that registered with me quite strongly, but when we get to the midpoint of the comic and we’re seeing deliberately-obfuscated verses from The Bard juxtaposed with deliberately-obfuscated climate change statistics, we go right from first gear to third, right from “why are we so mean to each other?” to “we’re absolutely fucked” — and one can be forgiven for feeling a fair amount of whiplash.

That being said, Hetamoe does nothing if not keep you absolutely engaged in the proceedings. From esoteric symbolism to slap-dash “rough” cartooning to pixellated computer imagery to scientific graphs to Gothic script, there’s a frenetic energy to all of this, a sense that anything really does go — even if it’s utilized in service of a premise that posits that eveyrthing is already as good as gone. Which brings us to nihilism, I suppose, but I think that’s either too reductive or, even worse, just a cop-out.

I’m not entirely comfortable saying that Hetamoe advances the notion that creativity is the way out of our death spiral, so don’t hold me to that as a hard-and-fast opinion, but it certainly seems like that might be the message here. Or one of the messages, at any rate.  It’s not stated clearly enough to rise above some of the visual “noise” in this comic on a first pass through it, but that’s immaterial; you know before you’re finished reading this that you’re going to have no choice but to go though it multiple times before you can even begin the process of forming something like a coherent reaction to it. And trust me when I say that’s not likely to be a terribly straightforward process, either. Nothing here is.

No harm in that, of course — quite the reverse. Comics that make you think — hell, comics that make you work — are kind of our bread and butter around these parts. But in this case, be prepared for that work day not to end. If that sounds exciting to you, then you’re really going to dig this book, but if some kind of resolution is important to you — even if it’s only a tentative one, and one largely arrived at under your own steam — then this may be that metaphorical “bridge too far” that all your years of exposure to “avant-garde” art have been leading toward.

Like I said, I’m not totally sure where I stand with it for my own damn self yet — but I’m in no way ready to walk away from this work and call it a day, either. I keep feeling like that major revelatory moment is just around the corner — and even if it turns out that it’s not, the search for it feels worth the effort. In that respect, then, Hetamoe has created one of the most genuinely immersive comics I’ve ever come across. And isn’t that preferable to merely being “good” or “bad,” anyway?


Violent Delights is available for $7.00 from the Kus! webshop at

Review wrist check – I said my Raven “Solitude” gray dial model was one of my favorite everyday “beater” watches, and I wasn’t kidding — this thing gets a lot of wrist time. Here it is again, showing off its versatility by riding a Zodiac caoutchouc rubber NATO-style strap in burnt orange for a perfect casual summer look.


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