A new year may be upon us, but we’re not quite done talking about last year here at Four Color Apocalypse. My next “best of” list takes a look at my picks for the Top 10 Vintage Collections of 2020, which is to say : books that collect material originally published prior to the year 2000, including Manga and Eurocomics. Let’s dive right in —
10. Atom Bomb And Other Stories By Wallace Wood (Fantagraphics) – One of the best volumes yet in the long-running EC Artists’ Library series collects the very best of the Wally Wood/Harvey Kurtzman collaborations from Two-Fisted Tales and Frontline Combat, and as a special added bonus Wood’s strips with Archie Goodwin from Blazing Combat are included, as well. I love Marie Severin’s colors, to be sure, but this stuff has never looked better than it does here, in pristine black and white.
9. The Pits Of Hell By Ebisu Yoshikazu, Translated By Ryan Holmberg (Breakdown Press) – Grotesque, absurd, and darkly humorous to a degree that’s downright painful, Yoshikazu’s 1981 masterpiece takes the banalities of urban living to illogical extremes and gives no fucks as to who it offends along the way. A strong contender for the most subversive and outrageous book of the year.
8. Stuck Rubbery Baby 25th Anniversary Edition By Howard Cruse (First Second) – The autobiographical (for the most part) magnum opus by the late, great Cruse is more than just one of the great masterworks of LGBTQ comics and literature, it’s an important chronicle of a movement and an era, and a testament to the fact that “coming of age” lasts a lifetime. Arguably the most accomplished and pivotal graphic novel of the 1990s is as relevant today as it ever was.
7. Jack Kirby’s Dingbat Love By Jack Kirby, Edited By John Morrow (TwoMorrows) – Collecting unpublished works by The King Of Comics originally produced during his early-’70s DC stint, there are no capes or tights to be found in the pages of True-Life Divorce, Soul Love, or the further adventures of the Dingbats Of Danger Street, but they all prove beyond a doubt that it was the humanity of Kirby’s work that was always its defining feature. Editor Morrow has gone above and beyond here, though, by including a wealth of scholarly essays, personal reminiscences, and early-stages art pages, as well, making this not just a “must-have” item for Kirby fans, but an indispensable historical artifact.
6. Perramus : The City And Oblivion By Alberto Breccia And Juan Sasturain (Fantagraphics) – Epic in scope yet never anything less than intensely personal, the latest volume in The Alberto Breccia Library is a hard-edged dystopian political thriller that accurately and acutely reflected the tensions and fears of life under the Argentinian military dictatorship its authors were subjected to. This is comics as a righteous act of resistance.
5. The Sky Is Blue With A Single Cloud By Kuniko Tsurita, Translated By Ryan Holmberg (Drawn+Quarterly) – Collecting the very best stories from Tsurita’s remarkable career, this book is, on the one hand, a tribute to a pioneering female Manga artist, but on the other, at least to English-speaking audiences, it’s a revelation. Delicate, surreal, and lyrical, these tales run the gamut from first-person accounts of Tokyo’s 1960s/70s Bohemian subculture to explorations of gender identity to harrowing works informed by the artist’s own fragile health. This is a collection that will stick with you forever.
4. From Hell Master Edition By Alan Moore And Eddie Campbell (Top Shelf) – A lot of people thought the addition of color to Moore and Campbell’s conspiratorial Jack The Ripper epic would ruin the whole thing, but they needn’t have worried : Campbell colored it himself, after all, and rather than subsume his line art, he found a way to complement it. I guess I’ll always prefer it in black and white, sure, but any excuse to re-visit this dense and intricate deconstruction of both Victorian England and the 20th Century is a welcome one.
3. The Man Without Talent By Yoshiharu Tsuge, Translated By Ryan Holmberg (New York Review Comics) – A standout in the history of autobiographical Manga, Tsuge’s unvarnished portrayal of himself as a habitual loser with no hope of changing his ways is both disarming and heartfelt — as well as remarkably raw, even for those of us well-accustomed to “warts and all” autobio and memoir. They saw “write what you know” — well, this is a case of writing and drawing what you know all too well, and turning it into a singularly powerful reading experience.
2. The Complete Hate By Peter Bagge (Fantagraphics) – It seems “Generation X’ will never die, but in point of fact Bagge, who wasn’t even a part of said generation, understood it better than any artist working in any medium. It wasn’t all “grunge” rock and postponing the responsibilities of adulthood — the lethargy, the casual disillusionment with everything, the fucked-up relationships — these are are all present and accounted for here in honest, and honestly hilarious, detail, as well. And the accidental stumbling into their 30s and 40s of Buddy Bradley, family, and friends makes for an astonishingly complete record of a series of fictitious lives that are among the most “real” in the history of the comics medium.
1. Gross Exaggerations : The Meshuga Comic Strips Of Milt Gross By Milt Gross, Edited By Peter Maresca (Sunday Press) – Not only do slapstick humor strips get no better than this, comic strips in general get no better than these meticulously-reproduced selections of Nize Baby, Dave’s Delicatessen, and Count Screwloose Of Tooloose. Sunday Press is setting the standard for vintage newspaper strip reprints, and this gorgeous collection of uniquely Yiddish comedy is not only their best book to date, it’s an object you will treasure forever.
Okay, that’s four lists down, with two lists still remaining. Next up : 2020’s Top 10 Contemporary Collections!
Review wrist check – Tsao Baltimore “Torsk Diver” green dial model, riding an Ocean Crawler orange and black NATO strap.
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