Weekly Reading Round-Up : 09/29/2019 – 10/05/2019

And we’re back! After taking a month (-ish) off to finish some other writing projects (including my first-ever comic book story!) while still keeping my “regular” review schedule on track, the Round-Up is ready to get off the mat, dust itself off, and step back into the ring! As is Michel Fiffe, so let’s get to that first —

Copra (Vol. 2) #1 is the 32nd issue of the formerly-self-published series, as the cover signature makes clear, but what could be a lot more clear is just what the fuck is happening — for new readers, at any rate. And there should be plenty of those given that new publisher Image Comics has a much greater “reach” than a Brooklyn cartoonist toiling away on his own. Which isn’t to say that there’s not a nice recap of all that’s come before on offer in this 36-page debut issue (a real bargain at $3.99, especially given that it features a heavy cardstock cover), but it’s at the back of the book and late arrivals would probably be better served if it were at the front. That concern aside, though, this is another strong installment of this post-modern take on John Ostrander-era Suicide Squad comics, the characters are introduced/re-introduced on the fly so as not to slow down the pace, and one trademark ingenious Fiffe fight sequence should be all it takes to hook most newbies. A fun, smart, exceptionally fluid series that’s finally getting itself in front of as many pairs of eyes as it deserves? I can’t see any negatives to that new paradigm.

Also coming out of mothballs is Matt Wagner’s classic sorta-antihero in Dark Horse’s Grendel : Devil’s Odyssey  #1. The stoic Grendel Prime is our protagonist this time out, tasked with the old canard of finding a “replacement planet” for an Earth that’s headed down the tubes, and while Wagner’s art certainly is as crisp and distinctive as ever — much aided by his son Brennan’s fantastic color choices — the story might need an issue or two before the training wheels come back off. I’m not opposed to giving it that — few Grendel stories have ultimately let me down — however, eventually we’re gonna need more than just nostalgia value here. I dig the new and more obvious pulp influence, so that’s another plus, but the whole thing just isn’t quite clicking into place — yet.

One book that clicks into place right off the bat, though, is Ruby Falls #1, the latest debut offering from Dark Horse’s Berger Books line. A taut little mystery written by Karen Berger mainstay Ann Nocenti (by the way, aren’t there supposed to be two more issues of The Seeds — at some point?), this is a distinctively-scripted series featuring a distinctively-developed protagonist set against the backdrop of a distinctively-realized town. Oh, and Flavia Bondi’s art? That’s pretty darn distinctive, too — Eurocomics style meets the pragmatic storytelling concerns of the North American market, both elements accentuating rather than negating each other. After a shaky start to the imprint, Berger seems to have found her editorial footing again overseeing these four-part minis that have become her new mainstay, and this bears all the hallmarks of being the best one yet.

All-Time Comics : Zerosis Deathscape #4 lures you in with a terrific gouache painting by the always-astonishing Tara Booth featuring a generously-proportioned version of Bullwhip teeing off on arch-foe The Misogynist on the cover, and a chase-and-fight between the two penciled by Julia Gfrorer and inked by series co-writer Josh Simmons kicks things off before the other Josh — that being Bayer — and Simmons take us back into the story “proper” as illustrated by the still-super-after-all-these-years Trevor Von Eeden. I’m digging this pattern of having “alternative” cartoonists drawing the intro sequences, I’m digging the “gonzo” tone of the series as a whole, I’m digging the first new Von Eeden work in way too long — seriously, just jump on this book if you haven’t already. All the promise and potential hinted at (but only sporadically realized, it’s true) in the first ATC run is bearing fruit since making the jump over to Floating World Comics and Bayer bringing on all his new collaborators. Probably the most genuinely fun thing on your LCS new release racks these days.

And that’s our first week back on the books, in the books. Which just leaves the rote task of reminding you all that this column is “brought to you” each and every week (again, promise!) by my Patreon site, where I serve up exclusive thrice-weekly rants and ramblings on the worlds of comics, films, television, literature, and politics for as little as a dollar a month. You can’t beat that deal, so please take a moment to give it a look at https://www.patreon.com/fourcolorapocalypse