Another day, another year-end “top ten” list. This time out is the year’s best vintage collected editions, in this case “vintage” meaning that the books in question collect works originally published prior to the year 2000. One of these years I suppose I should push that “cut-off date” up a bit, but for now, we’ll play it as it lays. And so, without further ado —
10. Alay-Oop By William Gropper (New York Review Comics) – Arguably the first graphic novel ever published, Gropper’s 1930 wordless morality play/love triangle drama is a tour de force of fluid visual storytelling, and the fact that it’s now available for contemporary audiences to re-discover is nothing short of a miracle.
9. That Miyoko Asagaya Feeling By Shinichi Abe (Black Hook Press) – A trailblazer in the field of autobio Manga, Abe’s early-1970s GARO strips are a moving testament to the power of inspiration and obsession, an exploration of the fine line between the two, and a fascinating historical record of a Tokyo Bohemian subculture that by and large no longer exists.
8. Ink & Anguish : A Jay Lynch Anthology By Jay Lynch With Ed Piskor And Patrick Rosenkranz (Fantagraphics) – An exhaustive collection of the late, great underground legend’s works that’s as poignant as it is funny, sure — but also eerily prescient in many respects. They don’t make ’em like this anymore, and that’s a damn shame.
7. Return To Romance : The Strange Loves Stories Of Ogden Whitney Edited By Dan Nadel And Frank Santoro (New York Review Comics) – Love is a battlefield, sure, but in Whitney’s 1950s romance comics that battlefield is psychological, with women constantly battling their dueling inclinations toward freedom and domesticity, with the former leading to heartbreak, the latter to happiness. Exploding every one of the genre’s sexist tropes by taking them to their logical extremes, this is visionary stuff cleverly disguised as status quo reinforcement.
6. Tale Of The Beast By Tadao Tsuge (Black Hook Press) – The first English-language edition of Tsuge’s 1987 hard-boiled Manga noir is a visceral revelation that eschews typical “whodunnit?” structuring by showing us the guilty culprit from the outset — yet it never fails to surprise at every turn. A visual and narrative marvel that oozes darkness and menace from every panel.
5. In The Wilderness By Casanova Frankenstein (Fantagraphics Underground) – Before creating his stand-in (okay, sometime stand-in) character of Tad Martin, Frankenstein was churning out these late-1980s/early-1990s autobio strips that are imbued with such direct immediacy that the act of committing them to paper feels and reads more like an exorcism than anything else. DIY comics before the term was known, these stories breathe a kind of fire that time and distance can’t diminish.
4. Absolute Swamp Thing By Alan Moore Volume One By Alan Moore, Stephen R. Bissette, John Totleben, Rick Veitch, Shawn McManus, And Dan Day (DC/Vertigo) – This long-awaited deluxe presentation of one of the transformative works in the history of the medium is every bit as gorgeous as anyone could hope for, but I really wish DC (and some other publishers, to be fair) would get over this whole urge to re-color everything. Granted, if you’re gonna go the computer coloring route, Steve Oliff is the best there is, was, or will ever be — but rich and textured as his work here is, it still buries a lot of the detail in the inks that showed through in Tatjana Wood’s original hand-done colors, and there was absolutely no compelling reason to cast aside her terrific work, which frankly would really shine in this slick, oversized format. That being said — this is still a “must-own” book, and re-visiting this material never fails to yield new surprises and deepen one’s appreciation for its revolutionary approach to mainstream horror comics.
3. Walt And Skeezix : 1933 – 1934 By Frank King (Drawn+Quarterly) – Every volume in this wonderfully-restored chronological reprinting of Gasoline Alley has been sublime, but for my money this eighth installment in the series represents the period when King was absolutely firing on all cylinders. I think a lot of people probably owed their very survival during the Great Depression to this charmingly transcendent comic.
2. Doll By Guy Colwell (Fantagraphics Underground) – One of the overlooked gems in the history of the medium and arguably one of the last true undergrounds, Colwell’s late-1980s series remains perhaps the most smart and sensitive “sex comic” ever produced on this side of the Atlantic, his story not only accurately predicting the arrival of the “Real Doll” (Google it if you must), but addressing issues ranging from toxic masculinity to misogyny to female objectification and dehumanization at a time when many of his peers were still trading in all that crap for cheap laughs. Having this collected between two covers, with its gorgeous art reproduced at a generous size, is cause for genuine celebration.
1. DC Universe : The Bronze Age Omnibus By Jack Kirby (DC) – I’ll be the first to admit that I’m not a huge fan of the “omnibus” format, generally finding it to be unwieldy in the extreme, but come on — who are we kidding? When you’ve got all of Kirby’s The Demon, The Losers, and OMAC collected together in one book, plus all kinds of one-offs and collaborations ranging from Dingbats Of Danger Street to Super Powers ? This one’s gonna win the top spot even if the damn thing weighs as much as a small child.
Next up we’ll do the year’s top ten contemporary collections, but until then please do your humble list-maker a favor and consider supporting my ongoing work by subscribing to my Patreon site, where I serve up exclusive thrice-weekly rants and ramblings on the worlds of comics, films, television, literature, and politics for as little as a dollar a month. Check it out by directing your kind attention to https://www.patreon.com/fourcolorapocalypse