Weekly Reading Round-Up : 01/06/2019 – 01/12/2019, Paradise Systems

Editor/translator/curator/publisher R. Orion Martin is doing some seriously extraordinary things with his Paradise Systems imprint, bringing the best in contemporary “alternative” cartooning from China to these shores is sumptuously-formatted and impeccably-designed packages. These are some of the most utterly unique comics on the planet (no exaggeration), and well worth your time and money. Four of my favorite recent releases follow —

Friendship Forever by Inkee Wang occupies some bizarre middle ground between Simon Hanselmann and Austin English, with pliable, gelatinous, bulbous characters toiling away at a dark approximation of what, I guess, passes for “friendship.” But mostly they’re just assholes to each other because, hey, it relieves the tedium of droll, everyday existence. Laugh-out-loud funny in a “guilty pleasure” sort of way, this collection of strips and sketches has a real and unforced fluidity to it, even if it ultimately, in dry parlance, “goes nowhere.” A triumph of color, design, and questionable intentions that offers good value for money at eight bucks, seeing as how you’ll return to it again and again just to make sure you really understand what the fuck it is that you’re witnessing.

Electrocat & Lightning Dog by Bu Er Miao is a riso-printed explosion of color, motion, and energy that charts the exploits of strawberry-farming anthropomorphic animals Mr. Meow and Mr. Woof (need I specify the species of each?), who lead near-shut-in lives until a genie living in a cream-filled strawberry grants the kitty a wish that sends him in search of his (apparently) first-ever girlfriend. There are lots of comics about nights out clubbing and the like, but none like this. A little steep at $15, it’s true, but nevertheless a lot of fun and a legit visual marvel packed with plenty of riotously absurd humor.

Ellipsis by Diane Zhou is another surreal mini-masterpiece, tracking the “evolution” of a duck egg farmer who finds herself elevated to goddess status after being knocked on the noggin by a hailstone. Perhaps the most formally experimental comic of our foursome here — now that’s really saying something! — Zhou’s bright hues, inspired page layouts, and even the characters themselves, are all extrapolated from interpretations of old family photos run through an Optical Character Recognition software program. Supremely inventive stuff that plays entirely by its own set of rules, and a veritable steal at $8.

Captivity by Xiang Yata is, from this critic’s perspective, the crown jewel of this ridiculously impressive foursome, a handsomely-oversized publication of wistful and sublime power, loaded from edge to edge with some of the most hauntingly beautiful, richly-textured graphite illustrations your eyes have ever set upon, ingeniously assembled into a near-wordless poetic reminiscence on longing, infatuation, romantic fixation, and anything and everything else that holds our hearts in bondage. A genuine show-stopper of a book that, like the woman it centers around, arrives as a quiet storm and never lets you go. You need this a whole lot more than you need the ten dollars it costs to purchase it, that’s just a fact.


Any or all of these comics are available for purchase individually on the Paradise Systems website, and for the budget-conscious among you (which, I’m assuming, means everybody), Martin has also put together a package deal featuring all of his company’s offerings — another of which, Yan Cong’s Cry, was reviewed on this site just yesterday, with at least one more coming up in the next day or two here — for $65. Check it all out at https://paradise-systems.com/





Weekly Reading Round-Up : 12/09/2018 – 12/15/2018, Mini Kus! Goes To China

After a couple of weeks off to review all of what’s come before in 2018 for my slate of year-end “Top 10” columns, the Weekly Reading Round-Up is back, and we’ve got a damn interesting slate to look at from our Latvian friends at Kus! this week, as they continue their journey eastward. The last issue of their long-running S! anthology series focused on comics from Japan, and this time out, their latest quartet of Mini Kus! releases spotlights four unique and distinctive cartoonists from China, all presented courtesy of guest-editor R. Orion Martin of Chinese indie/alternative comics publisher Paradise Systems. Let’s get right down to business, shall we?

Doghair by Ganmu is number 71 in the Mini Kus! line and features cold, austere artwork that matches the tone of its protagonist, an obsessive type who pours all of that obsession into the well-being, appearance, and happiness of his dog — to the detriment of everyone else, his wife included. A provocative, if decidedly unsubtle, character study of the sort of person anyone would do well to avoid, but who nevertheless makes for an intriguing individual to spend some (uncomfortable) time with, this mini impresses for its holistic approach rooted in clinical dispassion, its formal execution perfectly reflecting the nature of its subject.

Beyond A Cure by Fenta (Chinese cartoonists sure do love these single-word pen names), which bears the designation of Mini Kus! number 72, also grounds itself firmly in the aesthetics of austerity, sparsely and cleanly delineating an interior landscape of “original sin” minus any sort of religious or supernatural trappings. This comic seems to obliquely suggest that we live in a fallen world because we’re each of us fallen individuals, and while it’s an unmistakably frank read from first page to last, it nevertheless succeeds in leaving a perfectly intentional stain on the conscience without resorting to anything so cheap and easy as cynicism or misanthropy. Abandon hope all ye who enter here and all that, sure, but only because, hey, that’s the way things are and ain’t nothin’ you can do to change it. I was perplexed and challenged by this book, and frankly am a bit envious of how quickly and effortlessly it managed to take my mind to some dark places without manipulating me to get there.

On a lighter note (finally), Mini Kus! number 73, Inkee Wang’s Special K is bright, welcoming, cheerful, even frenetic in terms of its visual language, which plays well considering its narrative is rooted in the world of online gamer culture. When the reigning worldwide champion of a first-person shooter game called “WarLife Battlegrounds” is exposed as a cheater, something truly unexpected happens — disheartened players the world over simply don’t have the energy to kill each other vicariously anymore, and peace and calm descends upon their virtual world by default. I’ve read many a fine Kus!-published mini over the years — this one stands out for its sheer ingenuity, simply and unpretentiously arrived at and articulated, and marks Wang as a talent to watch out for.

Wrapping up our — uhhmmm — wrap-up, we have Mini Kus! number 74, Yan Cong’s UNIQLO Superman, a vibrant, lush, and colorful collection of two stories, the first concerning a thief who targets a UNIQLO clothing store (think a Chinese Gap or Forever 21), the second a rather tender love story between a frog and his —wife? Neither of these yarns is particularly substantial conceptually, but both are innovative enough in terms of execution and presentation to make you either forget, or be totally unconcerned by, the fact that they’re rather slight reads. I’m tempted to say I enjoyed them more than they deserved to be enjoyed, but in truth the mere fact that I did enjoy them is testament to the notion that there’s some powerful craft at work here that is able to transcend what should by rights amount to a self-inflicted critical blow. In these pages, Cong administers a case study in how to elevate mediocre material to a much higher level through sheer talent and technique.

And that does it for this week! Next time up, if all goes to plan, I’ll be introducing you to the work of a cartoonist from right here in the good old US of A who’s bringing the unique perspective of a true auteur to the world of genre storytelling. See you back here in seven short days for that! In the meantime, this foursome of Mini Kus! books can be ordered directly from the publisher for the bargain rate of $19, free shipping included, at https://kushkomikss.ecrater.com/p/31919969/mini-ku-71-72-73-74