Once in awhile, you have one of those weeks that reminds you why you love going to the comic shop on Wednesday — assuming, that is, that you actually do go to the comic shop on Wednesday. If you do, here are some things that you may have picked up. If you don’t, here are some things that you may (or may not, your call) want to pick up next time you’re there —
Going back to the Marvel Zombies rip-off well, writer Tom Taylor revisits his breakout hit concept of last year (one of the few to come from DC in recent memory) with DCeased : Unkillables #1, the debut intstallment of a three-part series that shows what the villains got up to while the heroes were all (okay, mostly) getting either wiped out or fucked by Darkseid’s infamous Anti-Life Equation being unleashed on Earth and turning everyone affected by it into shambling corpses. Karl Mostert is on board as artist this time and illustrates the proceedings in a really crisp, lively style — two adjectives that also apply to this book’s minimalist scripting. Deathstroke appears to be the main protagonist here, which is a good choice since pitting the DCU’s biggest bad-ass against the walking undead makes perfect sense and, as a premise, lends itself to some killer fight scenes. This was a fun, breezy read that I’m happy to have picked up and intend to stick with, but the book’s $4.99 cover price is maybe a little steep considering you can read the whole thing in about ten minutes.
Also on the DC front, Joe Hill kicks off the latest fiver-part (I think, at any rate) series to come out under his Hill House Comics imprint over at Black Label with Plunge #1, a creepy and unsettling Flying Dutchman-esque story with superb art from Stuart Immonen that centers around a salvage crew that’s hired to look into the mysterious re-appearance of an oil exploration vessel called the Derleth (clever there, as any Lovecraft fan can tell you) that just popped back up out of nowhere after 40 years. I’d never thought of Immonen as being a natural choice for a horror book previously, but it turns out I was dead wrong, as he’s modified his typical style to accentuate the story’s Cthulhu-esque elements in a manner that perfectly complements Hill’s inventive (if extremely wordy) script. Maybe the strongest Hill House debut yet, which is really saying something considering they’ve all been pretty goddamn good.
Kicking off a new series (also slated to run five parts) that looks like it could go either way is writer Mark Sable and artist Maan House’s Godkillers #1 from Aftershock, a rather discombobulated introduction to a cool enough premise that’s focused on an off-the-books paramilitary hit squad tasked with securing and/or destroying artifacts of mystical power on behalf on Uncle Sam. Sable’s bio refers to him as a writer, futurist, and military consultant, which sure sounds to me like an indirect way of saying he’s a spook, and also seems eerily reminiscent to the background of Republican — sorry, nominally Democratic — presidential candidate Pete Buttigieg, and while the script is a bit of a rolling info dump, odds are that’ll tighten up now that the particulars have been established, and House’s moody and sleek artwork is a great match for the material. I’ll probably give this at least one more issue — but again, a $4.99 cover price is a little bit steep for what you’re getting here.
My favorite pick-up of the week was Dark Horse’s Bang! #1, the opening salvo of yet another five-part mini, this one from the “A-list” creative team of writer Matt Kindt and artist Wilfredo Torres. Combining a basic James Bond premise with Philip K. Dick/ Steve Gerber/ Grant Morrison meta-tinged science fiction, this thing was a ton of fun, loaded as it is with intriguing unanswered questions and solidly expressive genre artwork with a marginally “mod” twist. Obliquely connected with Kindt’s earlier series Revolver, this nevertheless stands on its own just fine and lays out the contours of a highly creative, ambitious, reality-bending premise in appealingly broad strokes by means of snappy, stylish dialogue and just plain cool illustration. I have no idea what’s happening so far, but I can’t wait to find out, and you can’t ask for much more than that.
And with that, we’ll call it a day — or a night, depending on when you’re reading this. Just a reminder that this column is, as always,”brought to you” by my Patreon site, where I serve up exclusive thrice-weekly rants and ramblings on the worlds of comics, films, television, literature, and politics for as little as a dollar a month. Subscribing is the bast way to support my ongoing work, so I’d be very appreciative if you’d take a moment to check it out by directing your kind attention to https://www.patreon.com/fourcolorapocalypse