Four Color Apocalypse 2018 Year In Review : Top Ten Contemporary Collections

Once more into the breach — this time out, we take a look at my personal favorite contemporary collected editions of 2018, with “contemporary collected editions” specifically referring to books presenting work that was published somewhere else first, either as single issues, mini-comics, even just strips in various anthologies. The “contemporary” part of the equation means that these volumes need to present material that was published after the year 2000, as anything prior to that will fall into the “vintage collected editions” list that we’ll do in the next day or two. Final ground rule : English-language translations of Eurocomics and Manga are also eligible in this category (with the same chronological guidelines in play), since they  also, ya know, saw print somewhere else first. Let’s get right to it, then:

10. Compulsive Comics By Eric Haven (Fantagraphics) – Haven’s surreal strips appear far too infrequently, so getting two collections of them two years in a row like we have is genuine cause for celebration. Like Fletcher Hanks on bad acid with plenty of deadpan humor and gorgeous linework and color, the worlds Haven creates are what bad dreams would look and feel like — if they were fun. Plus, he accidentally kills a bunch of famous cartoonists in this one.

9. From Lone Mountain By John Porcellino (Drawn+Quarterly) – We all know that Porcellino’s King-Cat Comics is one the true treasures of this beleaguered medium we love, but what’s less well-known is what an absolute roll this series was on in the early-to-mid 2000s. This superb collection presents the very best of those years, when Porcellino was really getting a firm grip on the wistful, evocative, “tone poem” character that the series maintains to this day. Simply beautiful.

8. Red Winter By Anneli Furmark (Drawn+Quarterly) – One of the most heartfelt and stirring love stories to grace the comics world in some time, every forlorn glance and stolen moment these two doomed paramours share is a stake through the heart, lushly rendered against a backdrop of political intrigue and familial drama. Furmark’s strips are a national institution in Sweden — here’s your chance to see why.

7. Dumb By Georgia Webber (Fantagraphics) – The most harrowing and heartfelt autobio work of this year, Webber’s chronicle of her extended period without the use of her voice, originally self-published as a series on minis, is a privileged look at the challenges and daily practical demands of navigating through a hitherto-unforeseen health crisis. A very silent scream, indeed.

6. Somnabulance By Fiona Smyth (Koyama Press) – Long overdue, this massive retrospective of the work of one of Canada’s pioneering feminist cartoonists skirts our rules a bit by presenting material from both the previous century and this one (we’ll be breaking that again before this is over, fair warning), but who’s complaining? This is true auteur material, showcasing a world all its own, as foreign as it is immediately recognizable, inhabiting a space somewhere between dreams and reality. No one does it like Smyth, and no one else ever will.

5. Book Of Daze By E. A. Bethea (Domino Books) – By contrast, Bethea’s work has a way of making the actual, waking world we all know feel dreamlike, ethereal, and mysterious — even its dingiest corners. A slimmer collection than the others on this list (and the only one released as a magazine rather than a book), what this comic lacks in terms of physical heft it more than compensates for in the creation of a hermetically-sealed reality all its own.

4. The Song Of Aglaia By Anne Simon – French cartoonist Simon has long been admired “across the pond” for her detailed cross-hatching, inimitable facial expressions, and imaginative character designs, and as an “intro volume” for American readers, this feminist fairy tale is absolutely exemplary and painfully amusing. Lots of “Easter eggs” scatted throughout for Beatles fans as well in this amazingly charming, immersive volume.

3. Angloid By Alex Graham (Kilgore Books) – The mystical and mundane collide with results ranging from the heavy to the hilarious in Graham’s masterwork (to date, at any rate), culled from self-published minis and strips in her large format Cosmic BE-ING ‘zine. A sharp and wry take-down of both the art world and life on the economic margins, Graham will make you wish that you had some alien inter-dimensional helpers on your side just as her stand-in protagonist does, but you know what? You don’t need their assistance to recognize one of the most utterly unique and self-assured books of the year.

2. Providence : The Complete Slipcase Set By Alan Moore And Jacen Burrows (Avatar Press) – Superlatives aplenty have already been heaped upon Moore and Burrows’ Lovecraftian masterpiece, including from yours truly, so we needn’t revisit all that beyond saying that this isn’t simply one of the best horror comics ever made, but one of the best comics, period. Publisher Avatar has a reputation for producing some of their trade paperbacks and even hardcovers on the cheap, but this comprehensive collection, which also includes the prequel/sequel stories The Courtyard and Neonomicon, is very handsome indeed, and the inclusion of Dreadful Beauty : The Art Of Providence gives readers a fascinating look at Burrows’ criminally-underappreciated art in gorgeous black and white. An expensive set, to be sure, but more than worth every penny.

1. Berlin By Jason Lutes (Drawn+Quarterly) – Come on, what else was it going to be? Lutes’ sprawling, epic, highly personal tale of life in Weimar Berlin, over two decades in the making (told you we’d be skirting that “post-2000” rule again), stands as one of the high-water marks in the history of the medium, and this tremendous hardcover collection pulls out all the stops to present work this monumental in the format that it so richly deserves. A true masterpiece by any definition of the term.

And there we have it! Next up — Top 10 Vintage Collected Editions. I’m aiming to get that one up tomorrow, hope to have you along for the ride!

 

 

Weekly Reading Round-Up : 09/23/2018 – 09/29/2018, Cole Johnson

On deck for this week’s Round-Up column we’ve got a quartet of self-published minis from astonishingly literate cartoonist Cole Johnson, who has staked out his own unique metaphorical patch of turf quickly and is plowing it for all it’s worth. As is the case with John Porcellino, the deceptively minimalist style Johnson utilizes conveys a tremendous amount of information and, more importantly, feeling with as little fuss and muss as possible, consequently allowing his lean illustrations to pack more emotional “wallop” per line than he should, by all rights, be able to convey. Each of these books (three of which are in full color, and it’s gotta be said that Johnson is also a superb colorist) collects a series of thematically-similar short strips which seep into the consciousness of the reader with a heady mix of subtlety and inevitability, and reading all four at once, as I did, definitely has the power to “set the tone” for the rest of your day — or at least the next several hours of it, depending on what you’ve got going on.

Keeping all that in mind, then, I’m going to dispense with the plot recaps for each strip entirely and try something entirely different — what follows is not so much a traditional “capsule review” for these comics, but a cataloguing of the feelings that they stirred up in me as I read them. You’ll no doubt notice a very distinct  pattern emerge, and will walk away with a solid grasp of whether or not these comics are your “sort of thing.” I’ll state right now, and for the record, that they’re absolutely and unequivocally my “sort of thing,” and that I can’t wait to see what Johnson does next.

Forgotten Melody At The Edge Of Memory – Loneliness. Contemplation. Melancholy. Yearning. Alienation. Dissociation. Nostalgia. Despair. Restlessness. Ennui. Nihilsim. Resignation.

Never In A Million Years – Isolation. Failure. Longing. Yearning. Alienation. Dislocation. Apathy. Contemplation. Fear. Reverie. Resignation. Wistfulness.

Of Course – Lamentation. Heartbreak. Resignation. Tragedy. Wistfulness. Alienation. Vexation. Morbidity. Uselessness. Pity. Stoicism. Turmoil.

Ellipsis #1 – Anxiety. Contemplation. Dreariness. Inevitability. Depression. Weariness. Alienation. Wistfulness. Apathy. Isolation. Yearning. Apprehensiveness.

As you can see, Johnson is a cartoonist who knows what his particular skill-set and outlook is particularly good at conveying, and his work can very fairly be said to all be “of a piece.” And yet each story finds a method or two by which to express similar sentiments in new and, dare I say it, even clever ways. At some point it might be interesting to see our guy Cole move outside his “comfort zone” and try something entirely unexpected, sure, but for now — I’ll be damned if there’s anyone else out there doing what he does anywhere near as well as he does it. This is deeply felt, deeply humane, deeply personal work that is sure to make even the most hardened of hearts bleed a few drops — albeit in a muted, understated way that doesn’t draw too much attention to itself or its turmoil. If you’re feeling down none of these comics are going to pick you up, that’s for sure — and with Ellipsis slated to be a quarterly ongoing series it’s a safe bet that Johnson’s got a lot more to say on the particular set of concerns he seems downright consumed by — but they will let you know, in no uncertain terms, that there’s somebody else out there who knows pretty much exactly what you’re going through and has channeled those feelings through his conscious and subconscious mind in order to create some truly poignant art.

So, ya know, maybe all is not lost after all. Next week we’ll venture into far more uplifting territory, I promise, but until then, the following links may come in handy —

Forgotten Melody At The Edge Of MemoryNever In A Million Years, and Of Course all carry a $6.00 price tag and are available directly from the cartoonist via his bigcartel online store at https://colejohnson.bigcartel.com/products

John Porcellino (hey, there’s that name again!) also has all three of these titles available at his Spit And A Half distro site, and he also seems to be the only person offering Ellipsis #1 for sale at this point in time, so if you want to give that a go (and I really think you do), you can order that up for five bucks here :http://www.spitandahalf.com/product/ellipsis-1-by-cole-johnson/

Weekly Reading Round-Up : 12/03/2017 – 12/09/2017

Great stuff to tell you about this week, friends, so let’s eschew the time-wasting in favor of getting right the fuck down to business —

Twilight Of The Bat is Josh Simmons’ second “unauthorized” take on DC’s most bankable property, following on from his 2007 mini-comic simply titled “Batman” (later re-christened, no doubt for legal reasons, “Mark Of The Bat”), and this time out he’s joined by artist Patrick Keck for a 20-page ‘zine boasting high-quality Risograph printing and an $8.00 price tag set in a post-apocalyptic G _____ City where “The Bat” and his mortal enemy “Joke-Man” are the only survivors. The true nature of the most psychologically complex hero/villain relationship in comics is laid bare in frank and stark terms here, Kek’s rich and no-doubt-time-consuming linework is exceptional, and damn if this story won’t even make you laugh a couple times in spite of yourself. Yeah, okay, the Killing Joke influence is too obvious to miss, but this is, if anything, even more harrowing and tragic, even if does posit the same (and only)  inevitable outcome for this pair of star-crossed haters/lovers that Moore and Bolland did thirty years ago.

Damn! Now that I feel positively ancient, I’ll just mention that the inside covers feature pin-up art by Tara Booth and Anders Nilsen, who both contribute outstanding work — even if I can’t begin to decipher what Nilsen’s illustration has to do with the book at all. Well worth a buy, and damn, do these guys ship fast — I got mine in two days. Order yours at http://www.coldcubepress.com/shop/twilight-of-the-bat-josh-simmons-pat-keck

Uncivilized Books wants six of your hard-won dollars for John Porcellino’s South Beloit Journal, and you know what? You should give it to ’em. This is an engaging little collection of diary strips drawn at the low point of Porcellino’s life in the winter/spring of 2011, and if we’re going to measure it on a “diary comics bleakness/hopefulness scale” that has Gabby Schultz toiling away in the doldrums and Brian Canini serving up sunshine and rainbows at the other end, I’d have to say that it falls firmly in the middle. Certainly there is depression, anxiety, and even nihilism to spare, but by the end, things are looking up for Mr. King-Cat, and his shot at potential happiness feels well-eared, if almost nonchalantly arrived at. But then, that’s kinda how life works, isn’t it? Things suck until, slowly but surely, they don’t anymore. Chicken-scratch minimalism doesn’t get much more honest and engaging than this. Get it direct from the publisher at http://www.uncivilizedbooks.com/comics/south_beloit_journal.html or the author at http://www.spitandahalf.com/product/south-beloit-journal-by-john-porcellino/

Eric Haven is a cartoonist whose work first caught my attention when I was a teenager and he was putting out a three-issue series called Angryman for Caliber’s short-lived Iconografix imprint (anyone else remember that one?), and while his Hollywood gig as a producer on Myth Busters has kept him away from the drawing board more than I’d like, on those rare occasions when he does produce some new stuff, it’s always worth checking out — and his latest, the Fantagraphics-published hardback Vague Tales, is certainly no exception. A nearly-wordless collection of interlocked stories featuring super-heroes, super-villains, super-barbarians, and super-sorceresses that’s part Winsor McKay, part Jack Kirby, part Fletcher Hanks, part Charles Burns, and part something else entirely, this one seeps into your brain as you read it and simmers there for days as you try to piece together exactly what it’s all about/in aid of. Big, bold, brash — and yet profoundly subtle at the same time. Seventeen bucks is a bit much, true, but I don’t feel cheated in the least as this is one to re-visit over and over again. Porcellino’s got it at http://www.spitandahalf.com/product/vague-tales-by-eric-haven/

Fantagraphics also serves up our final offering of the week, Michel Fiffe’s Zegas, and this is the point where the spirit of full disclosure compels me to admit that I’ve never quite loved Copra as much as my fellow arbiters of taste breathlessly assure me that I need to. Mind you, I don’t dislike it in the least, I just fail to see what all the fuss is about.

This, though? Yeah, this one’s worth fussing about. Fiffe actually self-published this vibrantly-colored, assuredly-drawn story in serialized form before his more -celebrated (and still ongoing) super-hero homage, and for me this tale of two siblings with vastly different, but equally-compelling, problems trying to make their way toward vastly different, but equally-compelling, goals in a recognizable-but-not-quite city of the future, collected here in one volume for the first time, is supremely confident, visually literate stuff of the highest order. The sci-fi landscape is a tricky one to navigate, but in Emily and Boston, we have two fascinating guides, albeit for distinct — even disparate — reasons. Can’t recommend this one highly enough — well worth the $19.99 cover price, but easy enough to find for less even without resorting to Amazon. So don’t.

Alright, that ought to be enough to empty your wallet for one week — it was for me! — see you back here in seven days for another round!